itchybytes
Thursday, April 21, 2005
  www.soundbyte.org/main.php

http://itchybyte.blogspot.com/ 
  acid pro stings Acid pro

Context Sting - Musicology - Origins of loop sequencing
Kool Herc, Africa Bambata, GMF,
NYC Block parties and the 4 pillars of hiphop

Sting 1
The two halves of the screen
Top half is where the project will come together
Bottom half is currently showing three windows
RHS mixer window (Shows volume level –keep below 0)
LHS window (file manager – windows explorer, double click to open, favourites is the top level for us, if lost find, double click favorites)
Middle window shows the contents of the folder
To preview a sound SINGLE click
START/STOP with space bar

Sting 2
Middle of screen
TEMPO goes to style eg typically r’n’b = 90 – 100 bpm, rock = 120 – 150 bpm
Key Change key for whole project
REC

GO TO END - GO TO START
PLAY FROM START - PLAY FROM SPL

SPL (Top Left shows bar beat number, time)
Click to locate SPL on point of focus



Sting 3a
Save your project
Create .acd file

Sting 3b
Selecting sounds
From folders to the timeline
From bottom half of screen to Top Half
Test sounds together
Set up loop area
Sounds have to play their part so select sounds which work together and think about how you might use them maybe a sound could be a great solo intro sound, maybe a sound can be a background sound, maybe a sounds will be foreground, “lead” or feature sounds

Sting 4
Making a mix
Setting up a mix by adjusting volumes
Volume envelopes for automated fades and snaps


Sting 5
Fine tune the composition and arrangement
Zooming, Splitting and Chopping
Eg Chemical Brothers show zoom in
Splitting and changing chords within the key
Eg chord structure
Eg 12 bar blues

Sting 6
Render a final mix
File formats
Save .wav file for CD best quality – Windows Media Player
Save as .mp3 file for web or email - Windows Media Player
Save as .qtm for Apple QuickTime player
Burn as audio CD for music CD player playback
Burn as data CD for PC playback

Sting 7
Adding DSP FX
Adding envelopes
Adding and using busses
Adding DSP FX to tracks, busses, master output (compression, excite, etc)

Sting 8
Recording a live MIDI track from piano keyboard 
  hello itchybytes Thought it was about time to have a go at keeping my own blog - a place to note thoughts and ideas, sketches and wild thoughts...

For example, a program idea for this years bondi wave.

Can be used to test our on-line bookings system – pay or at no charge booking places only to test get us familiar with system overall

Tutor: Tom Ellard of Severed Heads

(also Tom + Vaughan lead Ableton Live workshops for soundhouse staff then for wave including performance)

Notes: Use Hyperstudio to create a program map to publish as workshop info page and including hyperlinks to essentials including booking system (online and) live, mailing list sign up, workshop plans, av online tutorials (stings), resources related to workshop, useful links, documentary process via dv, sponsors and partners,

Participants are welcome to BYO midi devices and learn about connecting to computers sound shaping and sequencing via MIDI (video this for web delivery)

3 x 3 hours, Tues, Wed, Thur 6 – 9 pm

Workshop 1

Workshop 2

Workshop 3

Edit DV recordings to create series of max 60 second mini tutorial multimedia stings describing micro elements of the studio process for shvl, soundbyte, promo CD’s, etc

on soundhouse with new SoundHouseVectorLab look and feel...


 
A place to reflect and experiment with ideas to do with vectorlabsoundhouse: informal learning, technology, creativity.

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Location: Sydney, New South Wales, Australia

Well, how did I get here? Original member of the Castanet Club 11 pce cabaret ensemble in the 80's. BA Uni of Newcastle. Grad Dip music therapy UTS Sydney. Since 1994 manager of the soundhouse computer music lab at powerhouse museum in sydney. www.soundbyte.org

ARCHIVES
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